NOTE: SPECIAL PROMOTION!
• TYPE IN COUPON CODE HPX170SALE
IN SHOPPING CART FOR FINAL SALE PRICE
CLICK HERE FOR VISUAL INTERACTIVE
DYNAMIC'S INFO PAGE
•FREE UPS GROUND (Including Ground Residential)
SHIPPING! (Good for shipping in 48 contiguous United States)
BE SURE TO CHECK OUT THE PROMO
VIDEO BELOW!
Supplied Accessories
•AG-HPX170 DVCPRO HD P2 Camcorder
•FREE Barry Green’s The HVX and
HPX Book
•FREEAJ-P2E016XGCard
•5400mA Battery for
approximately 140 minutes of
continuous recording (CG-AD54S)
•AC Adapter/Battery Charger (AG-B25)
•Accessory Mike Holder
•Component Video Cable w/
RCA-BNC Adapters
•Remote Control
•Shoulder Strap
•Instruction Manual
NOTE:PRICE SHOWN IS FOR ONLINE
ONLY...
please contact your salesman for details
The AG-HPX170 Is The Next Generation Of P2HD HandHeld
Camcorders
The introduction of the HPX170 marks the next generation of Panasonic,
full production quality, 4:2:2 1080/ 720/ SD P2HD Hand-Held camcorders.
Based on the recently introduced HVX200A, this completely solid state P2
handheld offers some important feature enhancements as well as an industry
leading 5 year warranty. (1 year + 4 additional years after registration). Unlike
its brother, the AG-HVX200A a transitional camera perfectly matched for the
customer that wants to continue using or delivering venerable DV tape. The
HPX170 is for the customer that has fully embraced the tremendous
advantages of P2’s file based workflow. The HPX170 is a P2 solid state only
camera that includes many extra features and benefits.
Starting with the front end of the camera, the AGHPX170 uses a newly
-developed 1/3-inch progressive 3-CCD imager system which substantially
improves signal-to noise (S/N) ratio, enhances low-light performance and
prevents smear. Using exactly the same imager system as the HVX200A
, this camera will produce similar images and is an ideal shooting partner.
The HPX170 utilizes the highlyreputed Leica Dicomar 13x lens roughly
the equivalent of 28 mm in 35mm still photography terms. It ranges from
3.9mm to 51mm with a filter diameter of 72mm.
Adoption of this new wider lens and the use of P2 cards instead of dual P2
and tape as storage media have brought about the reduction of the body
weight by 20% from the AGHVX200A, allowing more mobile HD shooting.
The AG-HPX170 weighs in at 4.2 lbs, just slightly more than a DVX100B.
The AG-HPX170 has a number of new features that truly make it one of
the most advanced camcorders in its price range. Many customer suggestions
have been incorporated into this camera design along with state of the art
technology like the new CCDs and lens assembly. Manufactured with a
magnesium aluminum alloy just like the HVX200 series, the camera is
highly durable and comes ready to work. It will be packaged with a
16GB P2 card and an updated book from Barry Green that references
both the HPX170 as well as the HVX200 series of cameras.
Important new features that really make this camera a next generation leader
are HD/SDI (also allows for SD) output, improved LCD performance, and a
useful waveform monitor and vectorscope function. The AGHPX170 also
includes three different advanced focus assist functions, all of which respond
a little differently so that you can choose the one that is perfect for the
shooting scenario. Additionally, you can now enter metadata in the field,
just like the HPX2000/3000 P2 cameras.
Fully solid-state, the two-slot HPX170 is a 1080p capable camcorder that
offers the compelling advantages of P2 technology including: no moving
parts unlike tape, hard disk drive, or disc-based systems; instant random
access to recorded HD or SD content; a faster IT compatible file-based
workflow; and the ability to operate in harsh environments with resistance
to temperature extremes, shock and vibration
With its two P2 card slots, users can record up to 64 continuous minutes of
the highest quality DVCPRO HD recording using currently available 32GB
P2 cards. Record times will double with the release of Panasonic’s 64GB
P2
card in the fall. Other user-friendly recording modes include hot swapping
for non-stop recording, loop record, pre-record, interval and one-shot recording.
A time/date stamp function makes it ideal for use in law enforcement
environments
The multi-format camera records in 20 HD and SD formats; in a variety of
1080i and 720p formats in DVCPRO HD, in 480i in DVCPRO50 and
DVCPRO, and in 480i in DV. It’s switchable between 16:9/4:3 aspect
ratios. The AGHPX170 offers a 20-step frame rate selection in 720p
mode for variable-speed shooting in the 12fps to 60fps range to acquire
fast- or slow-motion in-camera effects. For added creative flexibility,
professionals can select from a variety of advanced gamma functions and
settings including a CineGammaTM mode
Other convenient operational features include SMPTE time generator/reader,
clip preview on the camera’s 3.5” color LCD monitor, instant recording
startup,
shot marker, text memo, six pre-set scene files, the ability to load new settings
into the camera via an SD card slot, three assignable user buttons, and remote
control of zoom, rec, focus and iris.
NTSC/PAL Upgradeable
This camera can be upgraded for International capability once they are
registered for the 5 year warranty. Panasonic Service will only upgrade
units that are owned by US customers at a US address. End-users must
initiate the request for Panasonic to do the upgrade and Panasonic resale
partners are not eligible for this upgrade. Once they have received their
Warranty Registration, they need to send an email to
pbtscservice@us.panasonic.com.
MetaData input and management
A significant part of file-based workflow is the metadata portion of the
footage. IT is what makes it easy to find thing later. It also allows the field
personnel to communicate with the editorial staff. The correct spelling of
the interviewee’s name can be input on the clip within the body of the
camera
itself. The only other cameras that allow this functionality are the larger
AJHPX2000 and up.
Manual Focus Assist
There is a dynamic new feature on this camera that will make it really
interesting to any shooter that has to run and gun their images. The two
images on the right are indicating the rotation required for the focus ring
under the Standard Mode, which you would use if you were doing
production and wanted to use a Focus Puller to do a rack focus on the
subjects at hand. This represents about 300 degrees. The second
figure, is called Manual Focus Assist, and it indicates a much shorter
rotation, which equates to getting to the focus point much more quickly.
Keep in mind the rotation on a Broadcast lens is about 120 degrees. What
is really interesting is that when you start to get close, the camera sees the
PEAK and carries out the tail end of the focus, then goes back to no
auto-focus. This should be a function that you show every customer that
shoots news for a living.
DSP with 14-Bit A/D Conversion and 19-Bit Processing
The digital signal processor developed for the AG-HPX170’s 1080/60p
video signals uses 14-bit A/D conversion and 19-bit inner processing
to attain unprecedented accuracy in color and detail. The DSP performs
a variety of adjustments, including eight types of gamma settings, for
each of the R, G and B channels. It also converts the signals to HD or
SD format. With a performance equivalent to the processors used in
many higher-end HD cameras, this DSP delivers beautiful images in
all video formats.
High-Resolution Native Progressive 1080/60p Scan
Progressive to interlace conversion, cross conversion and down
conversion all start with the 1080p/60 scan. That initial 1080p progressive
scan signal coming off of the CCDs offers the highest level of vertical
resolution possible at this level of camera. Keep in mind that the camera
does not record this signal but uses it as a basis for all captures. The
result is an HD or SD recording with a level of image quality that cannot
be matched by electronically processed scans (pixel for pixel).
SDI (HD/SD switchable) output
The AG-HPX170 comes equipped with an SDI (HD/SD) output terminal
for live feed productions as well as for editing and monitoring for serial
digital transfer of uncompressed audio/visual data. It is compatible with
digital broadcasting environments and allows for a secondary recording with
another Panasonic digital recorder (P2HD/HD-D5/DVCPRO HD) or it can
be incorporated into a small HD/SDI studio with our AV-HS400
Digital Switcher
Enhanced focus-assist functions
The Center 2X Blow-up focus-assist function from the HVX200 is included
. The histogram function featured on the HPX500 is now a part of this camera
and you can choose Center Zoom, Histogram, or both (shown on the
picture to the right) The third focus assist is a Focus Bar display. The
bar grows longer as things become focused. The EVF DTL is more
enhanced as well to allow pictures to be focused more easily by
emphasizing the object contours on the EVF and LCD monitor screens.
Dynamic Range Stretch (DRS)
The DRS function reduces the blocked shadows and blown highlights
in scenes where bright and dark objects coexist, such as the view of a
room from outdoors. With this function, even if there are bright, halftone,
and dark areas in a scene, their gradation will be maintained and blocked
shadows, blown highlights, and color distortions will be minimized. The
result is video with a visually wide dynamic range.
5 Year Total Manufacturer Warranty
Special five-year free-of-charge repair contract In addition to the
excellent reliability and durability of the AG-HPX170, the “special
five-year free-of-charge repair contract” provides assurance to its users.
The AG-HPX 170 will also significantly contribute to running cost reductions.
Simply register your AGHPX170 on our website after you purchase it, and
you will be able to enjoy an additional four-year free-of-charge repair
service, in addition to the basic one-year service (a total of five years).
New Features:
•All solid state - P2 cards, 2 slots
•HD/SDI – (including SD)
•6 pin Firewire with locking connection.
(no power out)
•Color Bars with 1kHz Tone
•Metadata input - like the P2 Gear
•Camera Playback format can be
changed without going into menus
•Additional Neutral Density filters,
¼, 1/16, 1/64
•Additional Functionality of the User
Buttons, Delete Last Clip, Pre-
•Record and Variable Frame rate
•WaveForm Monitor and Vectorscope
•Dedicated Slot Select Button
•Three Focus Assist functions,
2X blow-up,
•Histogram, and Focus Bar
•20 Variable Frame Rates, 12, 15,
18, 20, 21,•22, 24, 25, 26, 27, 28,
30, 32, 34, 36, 40, 44, 48, 54, 60
•DVX-Style Navigational Tool
•Security Cable Attachment Hole
•Dynamic Range Stretching in
60I/60P HD, replaces News Gamma
•Iris/focus ring assignment switch so
that focus ring can be the iris
•Time & date stamp burn-in, perfect
for Legal Video work
•Most cables facing rear to reduce
conflicts, Audio connections in the
same place
•Manual Focus Assist, camera will
hit the last critical focus point
•LCD Screen can be flipped for
use with 35mm adapters
•10X, 5X, 2x Digital Zoom
•IEEE 1394 (a time-code setting
via IEEE 1394) and USB 2.0
•Built-in stereo microphone
• Two-channel XLR audio input
terminals supporting 48V phantom
power supply with a selectable
mic/line; and manual audio level
volume (two-channel)
•Clip preview on the camera’s 3.5”
color LCD monitor;
•Instant recording startup,
•Scene files
•Assignable user buttons
•Focus assist and a camera remote function
Specs
GENERAL
Power Supply:
AC 7.2V (with Battery)
DC 7.9V (with AC adaptor)
Power Consumption:
10.9W (when LCD monitor is not used.)
11.7W (when LCD monitor is used.)
13.8W (MAX)
Operating Temperature:
32°F to +104°F (0°C to +40°C)
Operating Humidity:
10% to 85% (No condensation)
Weight:
Approx. 4.19 lbs (1.9kg) Camcorder only
Approx. 4.96 lbs (2.25kg) Incl. two P2 cards and supplied battery
Dimensions (W x H x D):
6-1/8 inch x 7-1/8 inch x 15-11/16 inch
(154 × 179.5 × 397 mm)
CAMERA
Pick-up Device:
3CCD
(1/3-inch interline transfer type, and progressive modes supported)
60i/60p mode: 0/+3/+6/+9/+12/+18 dB,
30p/30pN/24p/24pA/24pN mode: 0/+3/+6/+9/+12 dB,
when using slow shutter (1/12 or 1/15), 0dB fixed.
when using under 23 fps flame rate, 0dB fixed.
3lux (F1.6, +12dB gain and 1/24 sec. of shutter speed)
Lens Hood:
Wide-field large type
Filter Diameter:
72 mm
Video P2 General (DVCPRO HD, 1080i
/ 720P)
Sampling Frequency:
Y74.25 MHz, PB/PR: 37.125 MHz
Quantizing:
8 bits
Video Compression System:
Compression ratio 1/6.7, DCT + variable length code
Video Recording Bit Rate:
100 Mbps
Audio P2 General (DVCPRO HD, 1080i
/ 720P)
Sampling Frequency:
48 kHz
Quantizing:
16 bits / 4ch
Frequency characteristics:
20 Hz to 20kHz
Memory Card
Recording Format: DV
DVCPRO HD:
1080/60i (30p over 60i, 24p over 60i, 24pA over 60i)
720/59.94p (30p over 60p, 24p over 60p)
720/30PN (Native)
720/24PN (Native)
DV CPRO 50/DVCPRO/DV:
480/60i (30p over 60i, 24p over 60i, 24pA over 60i)
Audio Recording Format:
PCM digital recording 48 kHz / 16 bits
4ch (DVCPRO HD / DVCPRO 50),
2ch/4ch selectable (DVCPRO/DV)
Recording/Playback Time*:
Approx.16 minutes
(Using one AJ-P2C016AG, DVCPRO HD, recording in 1080/60i)
Approx.32 minutes
(Using one AJ-P2C032AG, DVCPRO HD, recording in 1080/60i)
VIDEO connectors
SDI Out:
BNC x 1, 0.8Vp-p, 75
HD : SMPTE292M/296M/299M Standard
SD: SMPTE259M-C/272M-A/ITU-R.BT656-4 Standard
Analog Component Output:
Component Video Terminal x 1,
Y: 1.0Vp-p, 75O, PB/PR: 0.7Vp-p, 75O
Analog Composite Output:
Pin jack x 1, 1.0Vp-p, 75O
Audio Connectors
XLR Input:
XLR (3-pin) ×2 (Input 1/Input 2)
Input High-Impedance Line: 0dBu,
MIC: -50/-60dBu (selectable in menu GUI)
Line Output:
Pin-jack × 2 (ch1,ch2) 316mV, 600
Built-in Microphone:
Stereo micropnone
Phones:
Stereo mini jack (3.5mm diameter)
Built-in Speaker:
20mm round shape x 1
Other Connectors
IEEE 1394:
6-pin Digital x 1 (Input/Output), based on IEEE 1394 standard
USB:
Type mini B connector (USB ver.2.0)
Camera Remote:
2.5mm diameter super mini jack for zoom and rec start/stop
3.5mm diameter mini jack for focus and iris
Monitor, AC Adapter, and Other packages
LCD Monitor:
3.5 inches, LCD color monitor, 210,000 pixels
Viewfinder:
0.44 inches, LCD color viewfinder, 235,000 pixels
AC Adapter:
Weight: 0.37 lbs (160 g)
Dimensions: 2-13/16 (W) inch x 1-1/8 (H) inch x 4-5/8 (D) inch
(70 x 44.5 x 116 mm)
Please Note:
•Texas Residents: As per the State of Texas, you may qualify
for sales
tax exemptions on your purchase if used to create media to be
distributed to your customer. Please see following link State
of Texas Film Sales Tax Exemption
•FREE UPS GROUND Including Ground Residential
SHIPPING!
(Good for shipping in 48 contiguous United States)
Note: Shipping charges will be deducted after Checkout is complete online,
but before credit card is charged and processed in the store
•NEW LOWERED PRICE.
•VID Inc. is USA PANASONIC DEALER
QUESTIONS? feel free to email sales@vidinc.com
or call 1-800-296-2013
or 713-339-4600
CLICK HERE
FOR VISUAL INTERACTIVE DYNAMIC'S INFO PAGE
•IMPORTANT: You must register your
camera for the 4 year Extended Warranty Certificate. You can file for this at: http://panasonic.biz/sav/pass_e
Within a week or so of registration this will be sent to you via email.
Please note that there is an underline between the pass and the e pass_e
•SPECIAL PROMOTION!
TYPE IN COUPON CODE HPX170SALE IN SHOPPING CART FOR FINAL SALE PRICE
Instructions:
•Add AG-HPX170
camcorder to Shopping Cart
•USE COUPON CODE HPX170SALE
in shopping cart
PANASONIC PROMOTIONAL VIDEO FOR AG HPX170:
SPECIAL PROMOTION!
• TYPE IN COUPON CODE HPX170SALE
IN SHOPPING CART FOR FINAL SALE PRICE
Selected Recording times on a single 64GB card:
• 64 minutes in DVCPRO HD or AVC-Intra 100
(80 mins in AVC-Intra 100 1080 24p mode)
• 160 minutes in DVCPRO HD or AVC-Intra 100 at 720/24p native (Over 2.5 Hours)
• 128 minutes in DVCPRO50 or AVC-Intra 50 (Over 2 Hours)
• 256 minutes in DVCPRO (Over 4 Hours)
Selected Individual Model Recording Times:
• 2-slot AG-HVX200 or AG-HPX170 records over 4 hours in DVCPRO HD 720 24p native
PANASONIC AJ-P2C032RG
32GB P2 CARD!
NOW AVAILABLE!!
Recording time on a single 32GB P2 card:
• 32 minutes in DVCPRO HD or AVC-Intra 100
• 80 minutes in DVCPRO HD or AVC-Intra 100 at 720/24p native
• 64 minutes in DVCPRO50 or AVC-Intra 50
• 128 minutes in DVCPRO
AG-HVX200 will record 160 minutes (over 2.5 hours!) in DVCPRO HD 24pN or 64 minutes in DVCPRO HD
NEW PANASONIC AJ-P2C016RG 16GB P2 CARD!
IN STOCK!
ORDER TODAY BEFORE WE SELL OUT!
Recording time on a single 16GB card:
• 16 minutes in DVCPRO HD
• 40 minutes in DVCPRO HD 24pN
• 32 minutes in DVCPRO 50
• 64 minutes in DVCPRO
Individual Model Recording Times:
• AG-HVX200 will record 80 minutes in DVCPRO HD 24pN
Please note: Will need to download free firmware upgrade from Panasonic website for any AGHVX200 bought prior to May 2007
Panasonic CGAD54SE/1B
Lithim-Ion Battery 7.2V\5400mA snap on Battery
Up to 9 Hours charge!
SONY ECM674
The Sony ECM-674 is an affordable shotgun-type electret condenser microphone,
which delivers excellent sound performance in field and studio productions.
Offering high-sensitivity, low-noise characteristics and flat-and-wide frequency
response in a compact and lightweight design. The ECM-674 is well-suited for use
with Sony camcorders such as the HDV™ Series, DVCAM™ Series, and XDCAM™
Series. In addition, its two-way powering feature allows for phantom powering or
battery operation. With its high performance, affordable price, and great
versatility, the ECM-674 microphone is an ideal choice for a range of
sound-acquisition applications.
The SGM-1X Professional Shotgun Microphone is designed to provide quality audio
for the videographer. It is ideal for today’s smaller, digital video cameras
where longer models would appear in the frame when camera mounted. The
hyper-directional super-cardioid shotgun microphone has a wide frequency response,
exhibits low noise and accepts up to 110dB SPL input levels. The 11.8" long microphone
uses a single “AAA” battery that will last over 1000 hours due to the mic’s extremely
low current drain. The low-impedance, XLR connectored SGM-1X ships complete with a
windscreen and Azden’s proprietary shock-mount holder that isolates camera motor
noise from the mic. The holder has provisions for both camera-shoe and mic-stand
mounting.
Please click for more info
PANASONIC AG-MC200G
Unidirectional Microphone
The AG-MC200G microphone provides exceptional targeted pickup, isolating signals in noisy environments. Uses +48v phantom power and features standard XLR output, providing high signal gain and low noise floor. Ideal for mounting on camera as well as for use with portable recording or field devices.
XLR microphone •Sensitivity: •40 •3.5 dB (0dB=1V/Pa, 1kHz) •Maximum Input level: 127 dB (1000Hz, Distortion
within 1%) •S/N: More than 69 dB
UV Protector
Protects your camera or camcorder lens against dust, moisture, fingerprints, scratches and damage. This filter can be kept on your camera at all times.
* Most popular protection filters
VariZoom Controller - controls focus and iris
NOW AVAILABLE!
Five slot P2 Drive supports a peak transfer speed of up to 1.2 Gbits/sec
AJ-PCD35 is it supports a peak transfer speed of up to 1.2 Gbits/sec with multiple 64GB P2 Series “A” cards, or, a peak of 800Mbits/sec off of a single A-series 64GB card.
Portable DVCPRO HD/50/25 P2 Store Drive.
A ruggedized, portable 60GB hard disk unit with a P2 card slot that quickly transfers their content to an 2.5" internal hard disk drive. With a data storage capacity of 15 4GB P2 cards, it takes apprx. 4 mins to transfer an entire 4GB card's data to disk.
The AJ-PCD20 P2 internal/external drive is designed for high-speed file transfer of 25Mbps DVCPRO, 50Mbps DVCPRO50, or 100Mbps DVCPRO HD into nonlinear editing systems and servers.
Access up to 5 P2 cards simultaneously for continuous editing of recorded clips in sequence
All of the great features of the AJ-PCD10G, including the flexibility of USB 2.0. The price is lower and IEEE 1394b has been added for High-Speed Transfers (Mac users rejoice!).
PANASONIC AG-HPG10
Portable P2 Recorder with IEEE 1394 and USB 2.0 Interface
Dubbed the P2 Gear, the 1.1-pound, battery-operated AG-HPG10 allows user to monitor, record, downconvert, and archive P2 footage, while still having access to Panasonic's intuitive thumbnail viewing interface in a single, small portable unit.
With two P2 card slots and a 3.5-inch 4:3 LCD monitor, the P2 Gear offers on-the-spot playback and viewing of P2 content in multiple formats (1080i, 720p, 576i and 480i). The heavy-duty, shock-resistant player is equipped with speakers, easy-to-use controls and professional input/outputs (IEEE 1394, USB 2.0 and HD-SDI) for essential in-the-field functions including: viewing clips recorded on a P2 card or the FOCUS FS-100 portable hard drive, copying files to an external hard drive, outputting a playback signal to a large monitor and backup recording with P2 HD/P2 or tape-based DVCPRO cameras. To expedite workflow, the P2 Gear can be connected to a Windows PC or Mac and used as P2 card reader for data transfers into nonlinear editing systems. In addition, it can be connected to a PC or MAC for baseband monitoring or integrated with conventional tape-based decks and recorders as a source device without control. Not to mention, TOTAL 5 YEAR manufacturer warranty!
Focus Enhancements FS100-250GB portable Direct To Edit (DTE) recorder offers over 11 hours of recording in 720p24PN mode, nine hours in 720p25/30PN mode, or 4.5 hours in full-frame-rate 720p/1080i DVCPRO HD mode. Audio, video, timecode, and control information is passed through a single FireWire cable, allowing the user to record to disk and P2 card simultaneously.
The FS100-250 is designed for use in tough conditions and includes a six or 10 second electronic shock cache to ensure that footage is never lost. It weighs less than a pound and is 1.5 inches thick. Comes standard with large capacity battery and a bracket for attachment to Anton Bauer Wireless Receiver Mount for working with full size camcorders. Supports both P2 and QuickTime file formats.
The 160GB HD recorder capable of recording up to 2.5 hours of DVCPRO HD 1080p
Native frame rate recording (720p PN) modes for dramatically increased recording time (6.5 hours in 720p24PN or 5.25 hours in 720p25/30PN) and the ability to record variable frame rates for slow and fast motion effects.
No matter which nonlinear editing (NLE) system you have, the FireStore FS-100-160 has you covered. When in DVCPRO HD or DVCPRO 50 mode, files are recorded to disk in P2 MXF format. When in DVCPRO/DV mode, files are recorded as RawDV, AVI Type 1, AVI Type 2, AVI Type 2 24p, Matrox AVI, Canopus AVI, QuickTime, QuickTime 24p, Avid OMF, Pinnacle AVI, or P2 MXF file formats. Simply connect the FireStore FS-100-160 to your Mac or PC editing system like a normal FireWire hard disk drive and you are instantly ready to edit -- no capturing, file transfer, or file conversion is required. Just shoot and edit.
VariZoom Rocker-Style Controller-controls multi-speed zoom, focus, iris, and record/pause
PANASONIC AG HPG20
NOW AVAILABLE
New P2 HD Portable Brings Full Resolution, 10-Bit Master-Quality Recording to the Field with AVC-Intra Support
P2 Portable, small 2 slot P2 record/playback device with AVC-Intra, DVCPRO HD, DVCPRO50, DVCPRO and DV,
with HDSDI input and output, IEEE1394(streaming only, USB and SD Video. Comes with AC Power Supply and
CGA54SE/1B. Can be used in Host mode with USB, will supply power to USB Pocket HDD. Can serve as transcoder between laptop and HDSDI Monitor and between IEEE1394 and HD-SD SDI.
The AG-HPX500 matches SDI Environments for Both Broadcasting and Production The AG-HPX500 comes with a standard HD/SD-SDI output terminal for the serial digital
interface in most broadcast studios and high-end image production environments. This also allows it to be used as a compact live broadcast camera with the AV-HS400A Panasonic Mixer
UWP Series UHF synthesized wireless microphone system. Package includes
a lavalier microphone, bodypack transmitter and portable diversity tuner.
Mounting adapter for camcorder included. Channels 30 to 33. The UWP-V1 includes
extremely robust metal construction, mic/line input selection on the
bodypack transmitter, a miniature metal body omni-directional microphone
and plus the receiver includes a convenient auto channel scanning function
allowing automatic search for unoccupied channels.
Please click for more info
UWP Series UHF synthesized wireless microphone system. Package includes
a handheld microphone and portable diversity tuner. Channels 30 to 33. The
UWP-V2 includes extremely robust metal construction, a newly designed hand
held transmitter, plus the receiver includes a convenient auto channel
scanning function allowing automatic search for unoccupied channels.
Please click for more info
UWP Series UHF synthesized wireless microphone system. Package includes a lavalier microphone, bodypack transmitter,
plug-on transmitter and a portable tuner. Mounting adapter for camcorder
included. Channels 30 to 33. The UWP-V6 includes extremely robust metal
construction, mic/line input selection on the bodypack and plug-on transmitters,
a miniature metal body omni-directional lav microphone and plus the receiver
includes a convenient auto channel scanning function allowing automatic
search for unoccupied channels.
Please click for more info
Bodypack transmitter, ME 2 omni lavalier, SKP100 plug-on transmitter
for dynamic microphones, portable receiver, Cl1 1/8" output cable, CL100
XLR unbalanced output cable, CA2 camera mount
Please click for more info info
Bodypack transmitter, ME 2 omni lavalier, portable receiver, Cl1 1/8"
output cable, CL100 XLR unbalanced output cable, CA2 camera mount
Please click for more info info
Bodypack transmitter, ME 4 omni lavalier, portable receiver, Cl1 1/8"
output cable, CL100 XLR unbalanced output cable, CA2 camera mount
Please click for more info info
Due to smaller and higher performance MiniHD camcorders constantly
entering the market, the industry enjoys an increasing demand for
tripods and heads for such camcorders. Depending on the application
or budget, you can choose either the TH-950DV (which uses a common head
and provides easy setup with a lever operation), or the sturdy
professional TH-650DV. Ever since it was introduced, the competitively
priced high performance TH-950DV and TH-650DV have been the world's most
popular tripods in their class. Ships with carrying case.
Technical Specifications:
Payload : ~4kg / 9lb
Tilt angle : +90° / -60°
Counter balance : Off + 3position
Drag mode : FIX
Camera plate : Quick release plateSC-7
Plate attachment : 1/4 screw with video pin
Weight : 3.7kg / 8.1lb
Height : 75 to 155cm / 29.5 to 61"
Ball diameter : 75
Section : 2STAGE
The TH-650DV is considered the standard model when it comes to
entry-level tripods for amateur users of handicams or small camcorders.
It is the perfect tripod for current mainstream MiniHD camcorders.
Users enjoy a compact yet smooth operation, and also have the benefit
of great camera balance due to the counter balance feature with the
built-in spring. Shipped with carrying case.